Sat 30 September // 20:00
Tickets: £12 adv
For those who lament the death of guitar music, let Ex Easter Island Head point you in the direction of a beatific future. Featuring waves of mallet-beaten guitar overtone nirvana, pulsating phasing chatters of acousmatic byrdsong, whatever is happening it is always sublime – if you're not a fan already you most certainly will be after this...
Critically acclaimed Ex-Easter Island Head are a UK collective who incorporate multiple prepared electric guitars, percussion and other instruments to explore interplay, repetition and melodic intervention. The group’s live performances have been praised for their hypnotic energy, compositional flair and unique spectacle.
Salford Large Electric Ensemble comprises performers drawn from all corners of the thriving Manchester and Salford underground to present an ambitiously scaled work for eighteen prepared electric guitars and percussion.
Utilising a self-developed language of extended techniques and mechanical preparations, graphic notation and aleatory procedures the piece sees the groups’ shimmering electrified minimalism expanded to a bold new scale, encompassing members of Gnod, ILL, Action Beat, Mother and tapping into the vast resources of talent at Salford’s Islington Mill and on the Manchester-based Tombed Visions label.
Support will come from woodwind voyager Chris Cundy.
Utilizing bass clarinet, saxophones, and other unusual woodwind instruments Chris splits his time between the UK and Canada. He has toured internationally with Cold Specks, Timber Timbre, Guillemots, and Fyfe Dangerfield. He also accompanies songwriters including Little Annie, Baby Dee, Devon Sproule, and Edd Donovan. Recently Chris has started to release a series of albums under his own name.
Becoming friends with Billy Childish - artist, musician, and founder of Hangman Records & Books at an early age instilled and inspired in him a strong DIY approach, one in which quickly led to establishing experimental projects including Grace & Delete - a duo with fellow painter and electronics musician James Dunn. He also started to explore self-developed playing techniques such as multi-phonics, circular breathing, micro tonality and generally speaking a more tactile approach to the instrument.
Advance tickets available from Headfirst Bristol