first stirring…

In car parks and country lanes the doggers of the UK create their own temporary autonomous zones where they’re free to enact a cinema without screens.

The watching/performance mechanism spills out from porn…  into the air of summer evenings and sealed, lit cars.

In this mutual and illicit entertainment the actors and audience are always ready to disperse into the dark by car and foot if the authorities arrive to interrupt their activities.

The Bioskop applies the paradigm of dogging to their own ontological cinema…  In an isolated car park they project from and onto vehicles for an audience who explore the multiple screens and discover live performances in other cars and in the undergrowth.

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